Jacob Burckhardt
The Civilization of the Renaissance in Italy
From a theoretical point of view, when the appeal was made to antiquity, the conception of nobility could be both justified and condemned from Aristotle alone. Dante, for example, derives from Aristotle's definition, 'Nobility rests on excellence and inherited wealth,' his own saying, 'Nobility rests on personal excellence or on that of forefathers.' But elsewhere he is not satisfied with this conclusion. He blames himself, because even in Paradise, while talking with his ancestor Cacciaguida, he made mention of his noble origin, which is but a mantle from which time is ever cutting something away, unless we ourselves add daily fresh worth to it. And in the 'Convito' he disconnects 'nobile' and 'nobilita' from every condition of birth, and identifies the idea with the capacity for moral and intellectual eminence, laying a special stress on high culture by calling 'nobilita' the sister of 'filosofia.'
And as time went on, the greater the influence of humanism on the Italian mind, the firmer and more widespread became the conviction that birth decides nothing as to the goodness or badness of a man. In the fifteenth century this was the prevailing opinion. Poggio, in his dialogue 'On nobility,' agrees with his interlocutors—Niccolo Niccoli, and Lorenzo Medici, brother of the great Cosimo—that there is no other nobility than that of personal merit. The keenest shafts of his ridicule are directed against much of what vulgar prejudice thinks indispensable to an aristocratic life. 'A man is all the farther removed from true nobility, the longer his forefathers have plied the trade of brigands. The taste for hawking and hunting saviours no more of nobility than the nests and lairs of the hunted creatures of spikenard. The cultivation of the soil, as practiced by the ancients, would be much nobler than this senseless wandering through the hills and woods, by which men make themselves like to the brutes than to the reasonable creatures. It may serve well enough as a recreation, but not as the business of a lifetime.' The life of the English and French chivalry in the country or in the woody fastnesses seems to him thoroughly ignoble, and worst of all the doings of the robber-knights of Germany. Lorenzo here begins to take the part of the nobility, but not—which is characteristic—appealing to any natural sentiment in its favour, but because Aristotle in the fifth book of the Politics recognizes the nobility as existent, and defines it as resting on excellence and inherited wealth. To this Niccoli retorts that Aristotle gives this not as his own conviction, but as the popular impression; in his Ethics, where he speaks as he thinks, he calls him noble who strives after that which is truly good. Lorenzo urges upon him vainly that the Greek word for nobility (Eugeneia) means good birth; Niccoli thinks the Roman word 'nobilis' (i.e. remarkable) a better one, since it makes nobility depend on a man's deeds. Together with these discussions, we find a sketch of the conditions of the nobles in various parts of Italy. In Naples they will not work, and busy themselves neither with their own estates nor with trade and commerce, which they hold to be discreditable; they either loiter at home or ride about on horseback. The Roman nobility also despise trade, but farm their own property; the cultivation of the land even opens the way to a title; it is a respectable but boorish nobility. In Lombardy the nobles live upon the rent of their inherited estates; descent and the abstinence from any regular calling, constitute nobility. In Venice, the 'nobili,' the ruling caste, were all merchants. Similarly in Genoa the nobles and non-nobles were alike merchants and sailors, and only separated by their birth: some few of the former, it is true, still lurked as brigands in their mountain castles. In Florence a part of the old nobility had devoted themselves to trade; another, and certainly by far the smaller part, enjoyed the satisfaction of their titles, and spent their time, either in nothing at all, or else in hunting and hawking.
The decisive fact was, that nearly everywhere in Italy, even those who might be disposed to pride themselves on their birth could not make good the claims against the power of culture and of wealth, and that their privileges in politics and at court were not sufficient to encourage any strong feeling of caste. Venice offers only an apparent exception to this rule, for there the 'nobili' led the same life as their fellow-citizens, and were distinguished by few honorary privileges. The case was certainly different at Naples, which the strict isolation and the ostentatious vanity of its nobility excluded, above all other causes, from the spiritual movement of the Renaissance. The traditions of medieval Lombardy and Normandy, and the French aristocratic influences which followed, all tended in this direction; and the Aragonese government, which was established by the middle of the fifteenth century, completed the work, and accomplished in Naples what followed a hundred years later in the rest of Italy—a social transformation in obedience to Spanish ideas, of which the chief features were the contempt for work and the passion for titles. The effect of this new influence was evident, even in the smaller towns, before the year 1500. We hear complaints from La Cava that the place had been proverbially rich, as long as it was filled with masons and weavers; whilst now, since instead of looms and trowels nothing but spurs, stirrups and gilded belts was to be seen, since everybody was trying to become Doctor of Laws or of Medicine, Notary, Officer or Knight, the most intolerable poverty prevailed. In Florence an analogous change appears to have taken place by the time of Cosimo, the first Grand Duke; he is thanked for adopting the young people, who now despise trade and commerce, as knights of his order of St Stephen. This goes straight in the teeth of the good old Florentine custom, by which fathers left property to their children on the condition that they should have some occupation.